Music Masala

Chennai music season venues are a melting pot of human character.  In the Mylapore Fine Arts, a maami was heard loudly  remarking that she wanted  a good view of Hema, Prema's saree colour combinations. She went on to say that one came to such concerts  to observe such juicy titbits. She had come along with a batch of relatives and what better place than a Sabha venue to do some catching up with in the loudest of tones. Out of the corner of my eye, I watched her adjusting her heavy silk and talking animatedly with a sweeping glittering flourish. " Not a single Hema Prema concert have I missed this season, she gushed in shrill tones. What a melodious voice they both have? Indeed what a pure. Classical style they adhere to ? Of course I head straight for the canteen fifteen minutes into the concert. Better be an early bird to tuck into the sizzling crispies. Else you'll miss out on the good stuff. First and fast everywhere is motto. By the way, is so and so musician wearing a new jewellery for her concerts?....... ", she trailed off.

Elsewhere, as I was making my way to a seat at the start of a concert, a loud whisper calling out my name mystified me. I turned around to find  Bhama, a long lost relative beckoning to me furiously. " Come here ", she said peremptorily." This is a better seat and we can of course exchange musical notes". As I sat beside her, she informed me that she had to make a  note of the ragas because her daughter who learnt Carnatic music would have to be updated. As the artist commenced the varnam, she checked out with me whether it was in the raga kambhodi, nodded knowledgeably as if to say ,"I thought so" and dutifully made a note of the raga in her diary.Music could not hold her for long before she asked me whether I had found a cook. I must have looked bewildered because she went on to say that I had mentioned a problem in our previous meeting which had been a couple of years back.I tried to get my focus on course when she interrupted to ask why the singer was repeating Raga Kambhodi. I politely told her that he was singing Shankara bharanam, not Kambhodi.For the umpteenth time, as I tried to soak in the music wafting to me,  Bhama  came back with an irrepressible, "Oh, Vasanthi, almost forgot to check with you. Is your sister-in-law looking out for an alliance for her son? My cousin's daughter is an ideal etc.etc......"

I realized that music was not going to be my cup of tea at that point of time. Notwithstanding, I reflected on the unique character of the Chennai Music Season  which had something to offer for every palate; the gourmand, the  home-maker on the lookout for the stray piece of gossip and lastly of course, the music aficionado.

Mental and Not Physical Drudgery

Do you know how the dosa batter industry got a head start? Well, a lady in Chennai got this idea because she always outsourced her batter, finding the job of removing the batter and cleaning up after that too irksome. Well we don't even have the patience to feed the raw ingredients into the grinder container and switch the grinder on.And our grandmothers did  the  grinding manually. Why, my own mother would sit down and grind idli/ dosa batter in the stone grinder, rotating the stone with her left hand while feeding and circulating the dough with her right hand into the hole. I remember being fascinated as a kid by the huge stone grinder in grandmother's house and all the grandchildren taking turns to feed the dough while the cook desperately tried to shoo us away.

LPG burners arrived when I was in the fourth standard. I have vague memories of my mom cooking on the kerosene stove and sending me off to school.Anybody who has had any experience with the primus stove would know how tough it was to get the thing going. Life became easier with the arrival of LPG. Refrigerators and cars were the greatest life style symbols that one could aspire for. Yet our mothers cooked fresh breakfast; no fast foods or instan t mixes and sent us to school on time.While the kids divided their time between academic and physical activities, the mothers chugged away with the daily domestic routine of washing, shopping etc.In bthe pre TV era, mothers spent the afternoons, doing various types of handwork, crafts etc.Not for them, those endless sitcoms and soupy- weepies destined to give  a pain in the neck or back.

My grandmother  would squat against the aruvamanai, that indispensable chopping accessory in a South Indian kitchen and slice a variety of veggies into uniformly regular half inch slices for the good old avial. She employef a cook but thw job of chopping vegetables was never relegated to her whereas I flip my lid if my vegetable chopping maid fails to turn up.Squatting on folded knees  against the ammi to grind coconut paste or a thuvayal and wAhing clothes on the washing stone were all easily completed chores. Our mothers and grandmothers belonged to a generation that believed in doing physical work specially for the sake of the family good. Simple domestic activities like cooking, knitting,embroidery, drawing rangolis etc.were highly pleasurable activities because of their social and aesthetic value. Many of our mothers were not high ranking executives earning fat pay packets but the enduring values they imbibed in us help us today to live balanced lives, without getting carried away by the perpetual race of one upmanship and pursuit of material mirages.When my fingers stiffen due to excessive use of the keypad or mouse, I think of mothers and aunts stringing  jasmine and drawing kolams. They had finger coordination, strong legs and straight backs and therefore did not suffer from the various musclo- skeletal diseases plaguing modern youngsters.

Modern day technology has changed life styles with the deluge of conveniences that if has brought in its wake.  Information technology has helped us to explore and learn and eased the tedium of umpteen daily and lifestyle chores. But every now and then, my heart Iongs for the simple,wholesome pleasures that our ancestors enjoyed.

The Town of Birth

Kallidaikurichi is a quaint little town tucked  away amidst the foothills of the Western Ghats in south Tamil Nadu. It was and still remains a thriving centre of extraordinary cultural and economic progress.Situated on the banks of the river Thamirabarani, this town with winding green fields, vividly verdant unfolds a rich ecological emerald landscape.An ever so gentle  breeze wafted through the open fields, the lush paddy sways in a dance like Wordsworth's daffodils. In the olden days, after a rejuvenating bath in the crystal clear waters of the Thamirabarani, the folks of Kallidaikurichi  walked through the fields with small kudams of water, the men balanced the kudam on top of their heads, the women balanced it on their waist, their wet garments swishing with their dainty steps in a dancing rhythm. Sometimes one did not like to hurry back from the river. Sitting on a small rock, gazing at the lush countryside and throwing small, smooth pebbles was the favourite pastime of many a village lass. But this was a luxury which many could not indulge in. On a clear, sunny day, one couldeven see through the clear water, the glistening brown- white sand on the river- bed.Diving repeatedly into the cool,calm waters and applying the turmeric paste rubbed on a  rock was sheer ecstasy.The clanging of a temple bell, there were ever so many temples in Kallidaikurichi hastened their steps to the Pillaiyar kovil situated on the ghat of the Kannadiyan Kalvai. After a quick obeisance, their steps took them  home to a joyful routine of simple domesticity. Simple folks, who lived simply. In the evenings, most of them would troop back to the sastha, Pillaiyar or Amman temples and get vibhuti and the  prasadam, which tasted divine perhaps because it was seasoned with the sincere bhakthi of the Kallidaikurichi people.

      Agriculture was the main occupation in Kallidaikurichi. The people there grew paddy, groundnut,sugarcane and red chillies. Perhaps Mutthuswamy Deekshithar had bestowed his blessing on this village because the people had  high levels of musical talent. So it came about that Patti and thattha both were born in this wonderful town of Kallidaikurichi . Patti was born a good eight years after thattha's birth.

Prologue

It all began one day, thirty three long  years after my grandmother died. Ambi Mama, my maternal uncle send a WhatsApp message that Narayani Patti's death anniversary was being observed on the following day, reminding the family to abstain from consuming forbidden food items and say prayers for the well-being of all. Every year, Mama would diligently call up my mother Lakshmi, Patti's eldest child regarding the death anniversary. Somehow this time, it was different as it transported me tin a Time Machine to the world of this remarkable woman who had remained wrapped in cloistered virtue, like many of her generation. Narayani Patti  was short and lovably rotund but her warm, fair face, adorned with her sparkling nose-ring and earrings mirrored the warmth and graciousness of her multifaceted personality. Her talents were many but she was not one to show them off. A deeply religious person, extremely large hearted and generous, adaptable to the requirements of the family that she married into, she touched the lives of us, her grandchildren and ignited the spark in us. All this from a lady who probably never went to school, whose hunger for knowing and learning was unmatched and appeased only by the intense passion with which she almost devoured books. Many are the anecdotes and glimpses that we get into her life which was an illustration of rural traditions that was observed by many rural wives of the landed gentry of South Tamil Nadu of the period from early to mid twentieth century. This, in no way is a tribute to a grand, gracious lady- she would not have liked it, the simple humble person that she was. By sharing memories and experiences within the near and extended family circles, I hope to weave a rich tapestry in  her myriad qualities and the rich, deep colours of her personality. Her greatest lesson was her great skill in finding and pursuing a purpose in life within the constraints of a socially inexorable domestic regimen without complaint, without churlishness. In the end is the beginning, let's laugh and cry with her as she cruises through the journey of life.